Interpreting the New York Mayor's Sartorial Choice: The Garment He Wears Tells Us Regarding Modern Manhood and a Changing Society.
Coming of age in London during the 2000s, I was constantly immersed in a world of suits. You saw them on businessmen rushing through the financial district. They were worn by fathers in the city's great park, playing with footballs in the evening light. At school, a inexpensive grey suit was our required uniform. Traditionally, the suit has served as a costume of seriousness, projecting power and performance—traits I was expected to embrace to become a "adult". Yet, until lately, my generation seemed to wear them less and less, and they had largely disappeared from my mind.
Subsequently came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony wearing a sober black overcoat, crisp white shirt, and a notable silk tie. Riding high by an ingenious campaign, he captured the public's imagination like no other recent contender for city hall. But whether he was celebrating in a hip-hop club or appearing at a film premiere, one thing remained largely constant: he was frequently in a suit. Relaxed in fit, contemporary with unstructured lines, yet traditional, his is a quintessentially professional millennial suit—well, as typical as it can be for a cohort that rarely chooses to wear one.
"The suit is in this strange place," notes style commentator Derek Guy. "It's been dying a slow death since the end of the second world war," with the significant drop arriving in the 1990s alongside "the advent of business casual."
"It's basically only worn in the strictest settings: marriages, funerals, to some extent, court appearances," Guy states. "It's sort of like the traditional Japanese robe in Japan," in that it "fundamentally represents a custom that has long retreated from daily life." Numerous politicians "don this attire to say: 'I represent a politician, you can have faith in me. You should vote for me. I have legitimacy.'" Although the suit has historically conveyed this, today it enacts authority in the hope of winning public confidence. As Guy clarifies: "Because we are also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a subtle form of performance, in that it enacts masculinity, authority and even proximity to power.
Guy's words resonated deeply. On the rare occasions I require a suit—for a wedding or formal occasion—I retrieve the one I bought from a Japanese department store a few years ago. When I first selected it, it made me feel sophisticated and expensive, but its slim cut now feels outdated. I imagine this sensation will be all too familiar for many of us in the global community whose parents come from somewhere else, especially developing countries.
Unsurprisingly, the working man's suit has lost fashion. Similar to a pair of jeans, a suit's silhouette goes through trends; a particular cut can therefore define an era—and feel rapidly outdated. Take now: more relaxed suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a significant investment for something likely to be out of fashion within five years. But the attraction, at least in some quarters, endures: recently, major retailers report tailoring sales increasing more than 20% as customers "shift from the suit being everyday wear towards an desire to invest in something exceptional."
The Politics of a Mid-Market Suit
The mayor's go-to suit is from Suitsupply, a Dutch label that sells in a mid-market price bracket. "He is precisely a product of his background," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." Therefore, his moderately-priced suit will resonate with the demographic most inclined to support him: people in their 30s and 40s, college graduates earning middle-class incomes, often frustrated by the expense of housing. It's precisely the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits plausibly don't contradict his stated policies—such as a rent freeze, building affordable homes, and fare-free public buses.
"You could never imagine a former president wearing this brand; he's a luxury Italian suit person," says Guy. "As an immensely wealthy and grew up in that property development world. A power suit fits naturally with that tycoon class, just as more accessible brands fit naturally with Mamdani's constituency."
The legacy of suits in politics is extensive and rich: from a well-known leader's "controversial" tan suit to other world leaders and their suspiciously impeccable, tailored sheen. As one British politician learned, the suit doesn't just clothe the politician; it has the power to define them.
The Act of Banality and Protective Armor
Maybe the point is what one scholar calls the "enactment of banality", summoning the suit's historical role as a standard attire of political power. Mamdani's specific selection taps into a deliberate understatement, neither shabby nor showy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. However, some think Mamdani would be aware of the suit's military and colonial legacy: "This attire isn't neutral; scholars have long pointed out that its modern roots lie in imperial administration." Some also view it as a form of defensive shield: "It is argued that if you're a person of color, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of asserting legitimacy, perhaps especially to those who might doubt it.
This kind of sartorial "changing styles" is hardly a new phenomenon. Even historical leaders once donned formal Western attire during their formative years. Currently, certain world leaders have begun swapping their usual military wear for a dark formal outfit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's public persona, the tension between belonging and otherness is visible."
The suit Mamdani chooses is highly symbolic. "Being the son of immigrants of Indian descent and a democratic socialist, he is under scrutiny to conform to what many American voters expect as a marker of leadership," notes one author, while simultaneously needing to navigate carefully by "avoiding the appearance of an establishment figure betraying his distinctive roots and values."
Yet there is an acute awareness of the different rules applied to who wears suits and what is interpreted from it. "That may come in part from Mamdani being a millennial, skilled to assume different personas to fit the situation, but it may also be part of his multicultural background, where code-switching between languages, traditions and clothing styles is common," it is said. "Some individuals can go unremarked," but when women and ethnic minorities "attempt to gain the power that suits represent," they must carefully negotiate the codes associated with them.
In every seam of Mamdani's public persona, the tension between belonging and displacement, inclusion and exclusion, is visible. I know well the awkwardness of trying to fit into something not built for me, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in public life, image is never neutral.